The industrial revolution was reshaping the United States in the 19th and early 20th centuries, as the country shifted from a pure agrarian structure, to a more industrial one. While many major American cities of the early 20th century were home to bustling factories and mills pumping smoke into the air, Washington’s largest processing industry filled the air with a different smell—fresh baking bread. In the same neighborhood as the former Griffith Stadium in Shaw, family-owned bakeries lined the streets. Among the most prominent of these bakeries were Dorsch’s White Cross Bakery, Holzbeierlein Bakery, and Corby Baking Company, which were responsible for producing almost all of the bread, cake, and pastry products sold in the Washington area, consequently making them all household names in D.C.
On the evening of July 14, 1935, just behind the Lincoln Memorial, on the steps of the Watergate Amphitheatre, 10,000 Washingtonians, dressed in flannel and gingham, sat on blankets and newspapers. Out on the water, hundreds of others dressed in bathing suits floated in canoes, eager to experience Washington’s newest summertime tradition: floating concerts by the National Symphony Orchestra. The NSO was taking to the water, inaugurating a new “Sunset Symphony” series, wherein the orchestra would offer summertime performances on a 75 foot concert barge bobbing in the Potomac River.
In the 19th century, before chains like Macy’s and Sears-Roebuck, Washington, D.C. had Woodward & Lothrop. Known affectionately as “Woodies,” it was among the first department stores in the District, and remained the leading retailer in the city for nearly a century. It pioneered modern retailing from returns policies down to the department store choir, revolutionizing the way goods were sold and the culture of department stores.
In 1956, the Woodward & Lothrop department store in Washington DC, located at 11th and F St NW, hosted a traveling exhibit purporting to showcase the “American Dream.” Woodward & Lothrop, or “Woody’s” as it was affectionately called, was a staple in the city for over one hundred years, from the late 1800s to 1995, when it merged with another company. During the "Era of Department Stores," a period lasting from the '30s to the '70s when department stores were the main mode of shopping for the American family, Woodward & Lothrop was the King of DC. This is probably why the store felt entirely comfortable hosting the “American Dream” exhibit, and the exhibit’s main draw: four watercolors painted between 1917 and 1919 by Adolf Hitler.
In 1992, D.C. was rife with three “C’s”: Clinton, crack, and comedians. The first found a home in the White House, the second began to disappear from the streets, but the third—eager to make it as Stand-Ups—were left to wander in a city that offered them limited opportunities to perform. The opening of a new comedy club that July, the DC Improv, could not have come at a better time.
When organizers from the National Gay Mobilizing Committee approached him in 1973 about a gay rights march in Washington, Larry Maccubbin was skeptical. A poor turnout, he feared, could undermine the hard work that he and other local activists had done to advance LGBT rights in the nation’s capital.
“We do not want to receive any setbacks at this time due to a poorly conceived, hastily planned, and shabbily supported demonstration,” he replied.
In 1910, the Howard Theater was founded in Washington's Shaw neighborhood, and it soon became the premier black theater in the country, helping launch the careers of many African American performers. But for Duke Ellington, who was a fixture in the neighborhood as a kid, the pool hall next door to the theatre did more to shape his musical sensibilities.
Bohemian Caverns recently closed, but for 90 years, the U Street nightclub provided a local showcase for some of the greatest players in jazz, including John Coltrane and Miles Davis.
You might not immediately associate roller coasters with racial equality, but more than three years before Dr. Martin Luther King, Jr.’s March on Washington, Maryland’s Glen Echo Park was a focal point of the Civil Rights Movement. It made sense: since its opening in 1899, Glen Echo had been the premier amusement park for white Washingtonians. The park featured a number of modern roller coasters, a miniature railway, a Ferris wheel, an amphitheater, a pool: everything and more that other parks provided.
