In the early 1960s, Malcolm X traveled widely preaching black separatism on behalf of the Nation of Islam and – after splitting from the group in 1964 – promoting a more moderate vision for American race relations. So, it's no surprise that he came to the nation's capital on a number of occasions.
On the 50th anniversary of his death, we look back on two rather unusual connections Malcolm made in Washington.
In 1964, D.C. was the site of the only known in-person meeting between Malcolm and Dr. Martin Luther King, Jr., which was significant considering the two leaders' very public differences on approaches to the civil rights movement. Malcolm once called King "Rev. Dr. Chicken-wing" in a not-so-subtle critique of non-violent civil disobedience.
The two staged a made-for-the-cameras meeting in the U.S. Capitol. But, as strange as the photo-op with King seemed at the time, Malcolm made headlines with an even more unlikely connection in Washington a few years earlier.
It’s cold outside — by D.C. standards, REALLY cold. And, if you believe the area weather-folk, it’s going to be even colder overnight. Temperatures may reach zero and possibly a little bit below. (Thanks, polar vortex.)
But, even if your nose and extremities might suggest otherwise, we are still a fair ways off from the all-time record low temperature in Washington. That distinction goes to February 11, 1899. Around 7 a.m. that morning, the Weather Bureau at 24th and M St., NW recorded its lowest reading ever, a frigid 15 degrees below zero.
In the U.S. Senate's sculpture collection, there are plenty of busts of instantly recognizable historical figures such as Presidents Theodore Roosevelt and Abraham Lincoln. But enshrined alongside them, there's also the lushly-bearded, bowtie-wearing likeness of an obscure 19th Century Italian-American artist. While Brumidi, who signed his work "C. Brumidi Artist Citizen of the U.S.," isn't a famous name, he left a lasting mark on the U.S. Capitol, by creating striking frescoes and murals that add charm and grace to the building's interior.
Brumidi's work, which can be found throughout the Capitol, includes the fresco The Apotheosis of Washington in the Rotunda canopy. But his masterwork is the hallways on the first floor of the Senate wing, an assortment of frescoes and murals known as the Brumidi Corridors. Inspired by Raphael's Loggia in the Vatican, Brumidi's art is distinguished by his blending of classical imagery with patriotic American themes. The Washington Post once described Brumidi as "the genius of the Capitol," and noted that "so many of its stateliest rooms bear the touch of this tireless brush that he shall always be associated with it." Art historian Francis V. O'Connor has called him "the first really accomplished American muralist." A journalist of his time went even further, labeling him "the Michelangelo of the U.S. Capitol."
The great surge of Italian immigration to the U.S., which began in the 1880s and lasted until 1920, brought about four million Italians to this country. Many flocked to places such as Little Italy in lower Manhattan and comparable ethnic neighborhoods in Boston, Philadelphia and Baltimore, where new arrivals could speak their native language, find familiar food and churches in which to worship, and plug into a network that helped them to find employment. But Washington, D.C. didn't attract similarly large numbers of Italians. It was a government town without mills, factories or a commercial port, and there were fewer opportunities for unskilled former rural dwellers without language skills to support themselves. Instead, the area drew smaller numbers of skilled immigrants, such as the construction workers, artists and tradesmen who labored on the government buildings erected in the 19th and early 20th centuries.
Those early Italian immigrants to DC never really established a true Little Italy of their own. Instead, they mostly settled in two residential neighborhoods that vanished long ago — Swampoodle, near the U.S. Capitol and Union Station, and the Judiciary Square area.
The American Experience film The Forgotten Plague details the impact of Tuberculosis on American society. TB was a problem everywhere. But, the disease hit few places as hard as it hit Washington, D.C. In fact, according to a 1934 report by the District Medical Society, only Memphis, San Antonio and New Orleans had higher death rates among large cities in the United States.
The stats were alarming. They were also somewhat surprising, at least according to some. As the DMS report noted, since D.C. “is less congested and the economic situation is better than in any other city in this country, we should have one of the lowest death rates.” However, the rate in the nation’s capital was “higher even than that of Baltimore, where congestion and the economic situation are notoriously unfavorable.” (Sorry, Baltimore, apparently you were the measuring stick for terrible public health in the 1930s.)
As you might remember from Nathanial Hawthorne’s impressions of Washington, the D.C. area was full of soldiers during the Civil War. Luckily for us, we can actually read an account from one of the soldiers thanks to the diary of Maximilian Hartman. A German tailor, Hartman immigrated to the U.S. to live with his brother in Pennsylvania. In 1861, both brothers joined up with the Union Army and headed south, eventually being stationed in Washington.
While many others from the time period had lambasted the capital city as a backwater, Hartman was quite impressed.
On January 30, 1965, DeMatha Catholic High School clashed with the aptly-named Power Memorial Academy out of New York City. Led by 7'1" center Lew Alcindor (who later became the all-time leading scorer in the history of the NBA as Kareem Abdul-Jabbar), Power Memorial was riding a 71-game winning streak and had been tabbed as the mythical #1 high school team in the nation.
DeMatha, which had made a name for itself in the Washington area prep circuit under then 33-year-old coach Morgan Wooten, was no slouch either. The Stags were riding a 23-game winning streak of their own. Still, it was clear Wooten's squad would have its hands full with the New Yorkers and, in particular, Alcindor, "a 17-year-old who is not only big but quick, smooth and agile" who was drawing comparisons to Wilt Chamberlain.
What happened that night at Cole Field House has been called the greatest high school basketball game ever played.
Tonight our favorite documentary series, American Experience premieres a film about Thomas Edison, which you can watch on WETA TV26 and WETA HD at 9pm. Of course Edison is most known for his many inventions at his New Jersey lab. But, he also has a very unique connection to Washington.
The year was 1915. World War I was raging in Europe and Americans were uneasy at the prospect that their country would soon be brought into the conflict. As a man with a history of creative ideas, it's no surprise Edison had some thoughts on the situation and he was not shy about sharing them:
"The Government should maintain a great research laboratory, jointly under military and naval and civilian control. In this could be developed the continually increasing possibilities of great guns, the minutiae of new explosives, all the technique of military and naval progression, without any vast expense. When the time came, if it ever did, we could take advantage of the knowledge gained through this research work and quickly manufacture in large quantities the very latest and most efficient instruments of warfare."
It took a few years, but he finally got his wish and it left a lasting impact here in Washington.
From the late 1940s until 1969, the U.S. Air Force kept a record of all of its investigations into supposed alien activity in a report called Project Blue Book. Until a few days ago, the project archive had been accessible only by visiting the National Archives in downtown D.C. But, now the records are online! So, you can see the reports on the many UFO sightings that occurred in the Washington area over the years.
Of course, UFO's have long been a source of fascination to Americans and images of alien invaders in the nation's capital have captured our imagination for decades. In honor of the new Project Blue Book release, we take a look at the 1956 Columbia film, Earth vs. The Flying Saucers, which had a special connection to Washington -- not only in the plot of the movie itself, but in the real-life inspiration behind some of the scenes of terror.
If a local architect and a couple of U.S. Senators had been able to get their way, instead of the Lincoln Memorial, Washington might have honored the 16th President with a grandiose stadium patterned after the Roman Colosseum.
It was January 1911, and Congress was about to pass legislation to create the Lincoln Memorial Commission, to advise on the final plan for a monument to the slain president along the banks of the Potomac. But architect Ward Brown, secretary of the Washington chapter of the American Institute of Architects, dreamed up an exotic alternative to the shrine and statue that most others had envisioned. The Washington Post, in a lengthy article entitled "Planning a Gigantic Stadium in Washington to Dim the Glory of Rome's Noble Colosseum" described Brown's plan for a marble and concrete elliptical stadium 650 feet long and 550 feet wide, and standing 10 to 12 stories in height--roughly the size of Roman Colosseum, except that the latter was slightly taller. The proposed structure featured other classical affectations as well, including two great triumphal arches, 40 feet wide and 85 feet high, which would serve as the main entrances. Six smaller portals would have surrounded them. The stadium would have seated 87,000, with room for another 15,000 standing spectators.
