According to co-founder Virginia Ali, Ben’s Chili Bowl has never been “your typical restaurant.” Unlike other diners of the 1950s, Virginia’s husband Ben thought “Washington might be hungry for the kind of spicy dishes he had known while growing up in the Caribbean,” and so he created his own recipe for chili con carne—which remains a closely guarded family secret. A unique element of the restaurant at the beginning, was that “Ben’s spicy chili was served only atop hot dogs, half-smokes or hamburgers,” and not by the bowl as the place’s name would suggest. Ben’s invention of the chili half-smoke quickly become D.C.’s staple food item, and for the next 20 years, loyal Washingtonians overcame a slew of significant obstacles to get their fix.
Those who travelled into the District in the early part of May could enjoy a rock concert, good food, and plenty of protesting. In May 1971, the culmination of months of anti-Vietnam protesting took hold of D.C., when thousands of young Americans attempted to block traffic, execute sit-ins, and make their voices heard.
When organizers from the National Gay Mobilizing Committee approached him in 1973 about a gay rights march in Washington, Larry Maccubbin was skeptical. A poor turnout, he feared, could undermine the hard work that he and other local activists had done to advance LGBT rights in the nation’s capital.
“We do not want to receive any setbacks at this time due to a poorly conceived, hastily planned, and shabbily supported demonstration,” he replied.
Promote neighborly goodwill and the arts with a free concert on the National Mall? It sounded like a great idea to Stevie Wonder when he was approached by Compared to What, Inc. a non-profit D.C. arts education group in 1975. What could go wrong? As it turned out, a lot.
The Vietnam era was marked by student anti-war protests and the counterculture movement. But in 1970 the "silent majority" organized the era's largest pro-war demonstration, simultaneously protesting against President Nixon's Vietnam War policies and "hippies and yippies everywhere."
In the middle of the Cold War, the United States and the U.S.S.R. managed to find one thing they could agree on: culture. In 1958, the two countries reached an agreement which allowed each to send students, scientists, and performers to the other country to exchange new ideas and technologies. The initial agreement, made during the space race and just a few years before the Cuban Missile Crisis, would eventually facilitate an exchange of 1,700 individuals. Arena Stage became a part of that exchange in 1973 when they traveled to Moscow and Leningrad.
On August 4, 1976 cowboys from the American Southwest section of the Smithsonian’s annual Festival of American Folklife were in the middle of demonstrating a calf roping technique when a 400-pound bull calf "made him a hole" in the corral fence and took-off from the Festival site into lunch-hour traffic.
On Aug. 24, 1973, about 20 D.C. Jewish school children gathered around the Soviet Embassy holding onto basketballs. It was around noon, and they were getting ready to bounce the balls just loud enough for Soviet officials to hear. But they weren't there to play; they were there to stage a political protest.
Today, Wolf Trap National Park for the Performing Arts is a mainstay of Washington, D.C.’s cultural life. The park’s large outdoor auditorium and beautiful green space play host to a variety of performers. However, 50 years ago, some politicians questioned whether it was a wise decision for the government to accept the land gift from Catherine Filene Shouse and build the performing arts center.
“I was allowed to play whatever I wanted to play and interview whoever I wanted to interview,” said WHFS DJ Cerphe Colwell, who was hired in 1970 to do a Saturday night show. “By today’s standards, it’s astonishing.”
