As Washington, D.C. has become more gentrified, leaving much of its former history and culture behind, mumbo sauce is one aspect of D.C.'s homegrown culture that has managed to stick around. However, even mumbo sauce's place in the shifting scene of D.C. has been challenged in recent years.
Around the same time that Walt Disney envisioned a futuristic alternative to urban living—EPCOT (The Experimental Prototype Community of Tomorrow)—a man named Robert E. Simon Jr. dreamed of a better way to live in the suburbs. It was an era of hope when many were asking: “Through careful planning, innovate design, and high ideals, can we manufacture a better way to live?”
By the late 1950s, Shirley Horn had performed all up and down the U Street corridor a countless number of times, but her show at the Howard Theatre one October night in 1958 was particularly memorable for her. The jazz pianist and singer happened to be in the ninth month of her pregnancy at the time and was expecting the baby to be due any day.
If you visited any major U.S. city in the early fall of 1995, there’s no doubt you would have heard of the Million Man March for Black men in Washington, D.C., on October 16, either from flyers posted around town or through word of mouth. After all, plans for a massive gathering of African American men on the National Mall had been in motion for over a year.
