160 years ago, the only Civil War battle fought inside the District of Columbia nearly determined the fate of the nation. On July 11-12, 1864, Confederate forces under the command of Lieutenant General Jubal Early advanced down the 7th Street Pike (today Georgia Avenue, NW) and squared off against a motley crew of Union defenders garrisoned at Fort Stevens, one of the dozens of forts and batteries ringing the capital.
Funk band Parliament-Funkadelic has been in a long-term relationship with their African American fans from Washington, D.C. since the early 1970s. The message of Black freedom and empowerment inherent to funk music resonated with activists in the District who had fought for (and won) Home Rule, among other major political and social victories in recent years. In 1975, P-Funk released the album Chocolate City, an ode to the people of Washington, D.C.
After serving as Martha Washington's ladies' maid for most of her life, Ona Judge escaped from slavery in 1796. While with the family in Philadelphia, she boarded a ship headed north to Portsmouth, New Hampshire. For years she would evade efforts by President Washington to return her to bondage at Mount Vernon.
The Underground Railroad has deeper ties to the Washington DC area than many know. Escaped slaves are believed to have used the burial vault at Mount Zion Cemetery in Georgetown as a hiding place during their journey to freedom.
"If you were to ask the first comer you meet in the street whether he knew 'Hiawatha' he would immediately be able to whistle it," wrote the Washington Post in 1904. Read about one of the most anticipated musical events of that year, featuring Anglo-African composer Samuel Coleridge-Taylor and his namesake Choral Society.
As Washington, D.C. has become more gentrified, leaving much of its former history and culture behind, mumbo sauce is one aspect of D.C.'s homegrown culture that has managed to stick around. However, even mumbo sauce's place in the shifting scene of D.C. has been challenged in recent years.
Around the same time that Walt Disney envisioned a futuristic alternative to urban living—EPCOT (The Experimental Prototype Community of Tomorrow)—a man named Robert E. Simon Jr. dreamed of a better way to live in the suburbs. It was an era of hope when many were asking: “Through careful planning, innovate design, and high ideals, can we manufacture a better way to live?”
By the late 1950s, Shirley Horn had performed all up and down the U Street corridor a countless number of times, but her show at the Howard Theatre one October night in 1958 was particularly memorable for her. The jazz pianist and singer happened to be in the ninth month of her pregnancy at the time and was expecting the baby to be due any day.
If you visited any major U.S. city in the early fall of 1995, there’s no doubt you would have heard of the Million Man March for Black men in Washington, D.C., on October 16, either from flyers posted around town or through word of mouth. After all, plans for a massive gathering of African American men on the National Mall had been in motion for over a year.
