Architecture

It takes a lot of talent to design a city, especially one with such sweeping vistas and wide, radial streets as our Nation’s Capital.  It’s hard not to admire the vision of Major Pierre Charles L’Enfant, the engineer behind Washington, D.C. But everybody makes mistakes—even visionaries— and L’Enfant was certainly no exception.

His biggest blunder was probably tearing down the house of his boss’s nephew. 

When I.M. Pei, the celebrated Chinese-American architect from New York, was selected to design a new addition for D.C.’s National Gallery of Art, the Washington Post’s architecture critic remarked it was “no doubt one of the toughest [assignments] since Michelangelo was asked to put a dome on St. Peter’s.” Pei knew it would be a difficult task to build the new gallery, but that did not deter him. This is the story of how one of Washington's most unique buildings came to be.   

One of the things that helps make Washington's vistas so grand--but continually frustrates developers and architects--is the district's Congressionally-imposed115-year-long ban on skyscrapers. Congress passed the 1899 Height of Buildings Act, and then modified the law in 1910, creating a  complex set of restrictions based on location and street width.

It might seem intuitive that the skyscraper ban was imposed to protect views of the U.S. Capitol and the Washington Monument. But oddly, Congress was prompted to restrict construction heights because of Dupont Circle residents' griping about being overshadowed by what today is regarded as one of the District's architectural treasures--The Cairo apartments at 1615 Q Street NW.