Charlotte Muth

Charlotte Muth is embarrassed to admit that she doesn’t have a background in history or the D.C. area. In fact, she studied English and Linguistics at the University of California Berkeley and had only visited the nation’s capital twice before joining the Boundary Stones team. Passionate about words and storytelling, Charlotte likes to think of history as the archeological study of words and stories from the past: a good discovery requires digging, close scrutiny and a pinch of luck. While she hails from sunny Los Angeles, she has greatly enjoyed weathering Washington’s rich history, come rain, snow, hell or high water. In college, she edited a fashion magazine and volunteered as a radio DJ. In her spare time, she enjoys wearing outfits that are too fancy or outlandish for the circumstances, listening to podcasts at 1.5 speed and investigating the etymology of words.

Posts by Charlotte Muth

The C&O Canal Owes a Lot to Black Workers of the CCC

CCC Workers at Camp NP-2 in Gettysburg, Pennsylvania. (Source: National Archives Catalog)

Today, you may know the Chesapeake & Ohio Canal best as a destination for outdoor activities, roaring waterfalls and historic lockhouses (which can be rented, thanks to the Canal Quarters Lockhouse Program!)  But, the C&O Canal has a history with more twists and turns than the route of the canal itself. One of the most interesting chapters in C&O history was from 1938-1942, when two all-Black Civilian Conservation Corps companies worked to refurbish the decaying canal.

Proof That Adams Morgan Was Never Fully "Demuralized"

"Un Pueblo Sin Murales Es Un Pueblo Desmuralizado" in 2014, after being restored the second time. (Source: Hola Cultura)

Three figures with wolfish grins gather around a table, red as blood. What’s on the table? Money and houses. It’s a game of Monopoly, but the people aren’t people and the game is strictly metaphorical. This image occupies the upper right quadrant of a mural located at 1817 Adams Mill Road NW in Adams Morgan. The name of the mural is “Un Pueblo Sin Murales Es Un Pueblo Desmuralizado,” which literally translates to “A People Without Murals is a Demuralized People.” But the name in Spanish is a play on words: "A People Without Murals is a Demoralized People," emphasizing the value of public art — and artistic representation — to the community. Now over forty years old, this mural is the largest, oldest and longest-standing Latinx mural in D.C.