Jenna Furtado

In 1948, Black journalist Alice Dunnigan put the first of many accomplishments under her belt when she became the first Black female reporter to join the White House press pool and the first Black reporter to go on a campaign trip with a president. Doubted by many reporters due to her gender and race, Dunnigan had to fight for even a smidgeon of the recognition that her male journalist colleagues got, though it never stopped her from doing what she loved. 

One of just two Black women in the White House Press Corps during the 1950s and 1960s, Ethel Payne repeatedly demonstrated her determination to deliver the truth to her readers -- informed by her experience. Responding the criticism that she should be more objective, Payne responded, “I stick to my firm, unshakeable belief that the black press is an advocacy press, and that I, as a part of that press, can’t afford the luxury of being unbiased…when it comes to issues that really affect my people, and I plead guilty, because I think that I am an instrument of change.” 

The Tivoli Theater's grand opening in 1924 was heralded by a grand parade and a carnival which attracted hundreds of Washingtonian's to the Golden Age movie theater. Yet, just over 50 years later, the Tivoli had its windows bolted up and doors closed, no longer the shining light in the Columbia Heights neighborhood. What followed afterwards was a dramatic decades-long fight over the fate of the Tivoli, bringing up questions surrounding urban renewal and the future of the neighborhood, which had suffered greatly after the 1968 riots following the assassination of Dr. Martin Luther King, Jr. 

The 1970s and 1980s saw increased Latin American immigration to the United States, and to D.C. in particular. At the time, there was limited access to Latin American performing arts, something that Rebecca Read and Hugo Medrano sought to fix when they founded Grupo de Latinoamericanos Artistes (GALA) in 1976. They never expected, though, that GALA would take off and eventually become the National Center for the Latino Performing Arts. Their journey to becoming cultural icons in D.C. also coincided with the changing Latin American community in the District.

In 1968, nine members of the Catholic Faith entered a Selective Services office in the sleepy town of Catonsville, Maryland. They grabbed hundreds of draft files from the office and took them to the parking lot below, where they burned the files with homemade napalm. These people, known as the Catonsville Nine, represented one small part of the Catholic Left movement, yet became known nationwide for their action and commitment to their beliefs.