Jenna Furtado

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Jenna Furtado is a rising senior at the George Washington University double-majoring in History and Anthropology, with a minor in Journalism and Mass Communications. She hails from Northern California, a place where towering trees and windy beaches are nothing but a ten minute drive away. D.C. has become a home away from home for her while attending university, both for its history and the myriad of delicious restaurants there. When she isn't writing or researching about history, Jenna loves to wander around Rock Creek Park, spend hours in the many museums in the area, and walk around the monuments at sunset. Obsessed with history from a young age, Jenna is dedicated to uncovering and promoting little known factoids of the storied history of the DMV area.

Posts by Jenna Furtado

Encore: How the Tivoli became the Epicenter of a Debate over Urban Renewal

The revitalized Tivoli Theater in Columbia Heights, with tan walls and a red roof in an Italian architectural style. There is a large marquee, and signs with the word "Tivoli."

The Tivoli Theater's grand opening in 1924 was heralded by a grand parade and a carnival which attracted hundreds of Washingtonian's to the Golden Age movie theater. Yet, just over 50 years later, the Tivoli had its windows bolted up and doors closed, no longer the shining light in the Columbia Heights neighborhood. What followed afterwards was a dramatic decades-long fight over the fate of the Tivoli, bringing up questions surrounding urban renewal and the future of the neighborhood, which had suffered greatly after the 1968 riots following the assassination of Dr. Martin Luther King, Jr. 

GALA Hispanic Theatre: Celebrating Latin American Culture in the Arts

A closeup on the marquee of the Tivoli theatre. A vertical red sign reads "GALA" and the words on the marquee advertise ticket sales.

The 1970s and 1980s saw increased Latin American immigration to the United States, and to D.C. in particular. At the time, there was limited access to Latin American performing arts, something that Rebecca Read and Hugo Medrano sought to fix when they founded Grupo de Latinoamericanos Artistes (GALA) in 1976. They never expected, though, that GALA would take off and eventually become the National Center for the Latino Performing Arts. Their journey to becoming cultural icons in D.C. also coincided with the changing Latin American community in the District.

The Burning of Paper, Not Children: A Look at the Catonsville Nine

The Catonsville Nine after they got arrested after the action. Pictured are (l-r standing) George Mische, Philip Berrigan, Daniel Berrigan, Tom Lewis. (l-r seated) David Darst, Mary Moylan, John Hogan, Marjorie Melville, Tom Melville. (Source: Wikimedia Commons)

In 1968, nine members of the Catholic Faith entered a Selective Services office in the sleepy town of Catonsville, Maryland. They grabbed hundreds of draft files from the office and took them to the parking lot below, where they burned the files with homemade napalm. These people, known as the Catonsville Nine, represented one small part of the Catholic Left movement, yet became known nationwide for their action and commitment to their beliefs.