At 4:45 p.m. on January 31, 1930 the “new and shaky ensemble known tentatively as the National Symphony Orchestra of Washington D.C.” took the stage of the recently finished DAR Constitution Hall at eighteenth and C streets northwest. Conductor Rudolf Schueller and the musicians were welcomed into the hall by vigorous applause from an audience of 2,000 music-loving Washingtonians who eagerly awaited the newly established orchestra’s first notes. Arriving at this moment of glory did not happen easily, or quickly for that matter. While Washington is typically considered a capital of arts and culture today, this was definitely not the case in the early 1900s.
In the 19th century, before chains like Macy’s and Sears-Roebuck, Washington, D.C. had Woodward & Lothrop. Known affectionately as “Woodies,” it was among the first department stores in the District, and remained the leading retailer in the city for nearly a century. It pioneered modern retailing from returns policies down to the department store choir, revolutionizing the way goods were sold and the culture of department stores.
The Vietnam War left a number of indelible images burned in our collective psyche, but few encapsulated the anti-war movement here at home more than Marc Riboud's 1967 photograph of a flower girl standing before a row of bayonet-wielding soldiers in front of the Pentagon. Amazingly, despite the attention the photo garnered, the young woman, Jan Rose Kasmir, didn't know it existed for almost 20 years.
In 1956, the Woodward & Lothrop department store in Washington DC, located at 11th and F St NW, hosted a traveling exhibit purporting to showcase the “American Dream.” Woodward & Lothrop, or “Woody’s” as it was affectionately called, was a staple in the city for over one hundred years, from the late 1800s to 1995, when it merged with another company. During the "Era of Department Stores," a period lasting from the '30s to the '70s when department stores were the main mode of shopping for the American family, Woodward & Lothrop was the King of DC. This is probably why the store felt entirely comfortable hosting the “American Dream” exhibit, and the exhibit’s main draw: four watercolors painted between 1917 and 1919 by Adolf Hitler.
On June 8, 1918, Washingtonians looked to the sky hoping to see… well… something. But, many weren’t quite sure exactly what. As the Evening Star noted:
“There was a great craning of necks on the streets. Many a citizen who had read about the eclipse and forgotten about it, wanted to know where the aeroplane was…. One woman called up The Star and wanted to know whether the Marine Band ‘is playing on the eclipse.’ A reporter carefully explained that the Marine Band sometimes played on the Ellipse.”
For scientists at the U.S. Naval Observatory on Massachusetts Avenue, however, there was no confusion. The day marked an extraordinary astronomical event -- a transcontinental total eclipse -- and they pulled out all the stops to document it.
For the past 18 years, the United States Holocaust Memorial Museum has hosted the First Person program each summer. These programs are open to the public, and allow musuem visitors to listen to personal stories of Holocaust survivors, and to engage with them.
“To describe this shopping center in words is a bit difficult because of its extremely high efficiency in the use of every square foot.”
While it may be hard today to imagine the shopping center at the intersection of Arlington’s Glebe Rd. and Wilson Blvd. as an exciting and advanced piece of architectural planning, it truly was at its opening in 1951. At the time, it was the largest suburban retail space on the East Coast, and the first-ever to be built around a parking garage (which also happened to be the largest parking garage in the United States). This sort of retail design was an absolute novelty, and an early hallmark of both the post-War evolution of the American suburb, as well as the DC area’s growing population. Its name, however, was a little on the nose: Parkington.
In the summer of 1969, thousands of young people gathered together to attend a festival showcasing many of the greatest musicians of their generation. Huddled around each other in the mud, these counterculture youth engaged in a capstone event to the rebellious and liberating 1960s. This event, of course, was Maryland’s Laurel Pop Festival.
Those who travelled into the District in the early part of May could enjoy a rock concert, good food, and plenty of protesting. In May 1971, the culmination of months of anti-Vietnam protesting took hold of D.C., when thousands of young Americans attempted to block traffic, execute sit-ins, and make their voices heard.
“Immaculate” and “modern to the nth degree” read a Washington Post ad one December day in 1930. Sounds intriguing, but what dazzling, new technology was it describing? A television set? One of those new electric razors? Penicillin?
Decades before Venus and Serena Williams dominated women’s tennis on the WTA tour, the Peters Sisters — Margaret Peters, a.k.a. “Pete", and Roumania Peters, a.k.a. “Repeat” — from Georgetown, were unstoppable champions in the all-black American Tennis Association.
"The visions that baseball fans could conjure only in their fondest dreams will evolve as realisms at Griffith Stadium on Wednesday when spectacle will be heaped on spectacle, thrill piled on thrill. There, in a contest apart from all the rest, the dream game comes to life." Though few others described the mood as eloquently as Shirley Povich, many in the nation’s capital shared his excitement as Washington prepared to host its first baseball All-Star game in 1937.
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