The country’s first modern art museum was established 100 years ago in a Dupont Circle townhouse. And since the Phillips Collection celebrated its centenary last year, it’s a great time to remind Washingtonians that their city has a rich art history—largely exemplified by the story of this museum.
The first Black man to win a full term in the Senate came to D.C. in 1875. When white supremacists retook his home state of Mississippi, Blanche Bruce built a new life in the nation's capital.
Dumbarton Bridge is nestled between Georgetown and Dupont Circle. Bronze Buffalo guard the approaches and 56 identical sculptures of a Native American man line the base of the bridge’s second tier of arches. Chosen to provide a distinctly “American character,” these design features are reflective of an artistic movement that idealized European settlement and western expansion. Ironically, the man depicted by the replicate busts spent his entire life fighting European settlement.
In 1992, D.C. was rife with three “C’s”: Clinton, crack, and comedians. The first found a home in the White House, the second began to disappear from the streets, but the third—eager to make it as Stand-Ups—were left to wander in a city that offered them limited opportunities to perform. The opening of a new comedy club that July, the DC Improv, could not have come at a better time.
