Meaghan Kacmarcik

In 1946, Washington, DC was on the precipice of a Civil Rights movement. One of the first tests of the city’s shifting beliefs came with the opening of the George Washington University’s Lisner Auditorium and its use for commercial theater performances. The first play put on at the theater, Joan of Lorraine, turned out to be a  experiment in the continuance of race-based discrimination policies. Was the swift public backlash to the segregation enforced by GW enough to tear down the artificial barriers between black and white Washingtonians at Lisner?

For years, Turkey Tayac fought almost singlehandedly for the rights and recognition of his Native American group, the Piscataways. In the 1950s, he found some unlikely allies and successfully fended off an effort to build high rise apartments on sacred Piscataway lands in southern Maryland. A few years later, he helped convince the National Park Service to preserve the land for posterity. It was a remarkable achievement, and Turkey Tayac's work for inclusion would continue, even after his death.

It was the start of October and the dog days of summer in the nation’s capital had officially come to an end. The crisp autumn air, a relief to most Washingtonians in years past, was an ominous foreshadowing of the days and weeks to come. There would be no more open windows in homes, streetcars, or workplaces for the foreseeable future. With an invisible killer hanging in the air, Washington would soon find itself in crisis — and transplanted war workers bore the brunt of it.

Stubby, the World War I war dog looms large in animal and American military history. By no means a professionally trained canine, Stubby was smuggled from Connecticut to France where he first served in a morale position. He took on a greater role as he got used to warfare, aiding the troops any way he could. When he came back to America, he became a celebrity, especially in Washington, DC.  

Shock rippled through the steamy streets of Washington, DC, in early August 1979. The source of the buzz was not the result of back-to-back testing of nuclear weapons by the United States and the Soviet Union. It was not even the sale of the nearby Baltimore Orioles to D.C. lawyer Edward Bennett Williams for the grand sum of $12.3 million. The source of the city’s consternation involved the smooth timbre of a DMV staple – or the lack thereof. Felix Grant – one of Washington’s most beloved radio deejays for a generation – was being pulled from the airwaves.

After World War II, Southwest Washington, DC, underwent a bout of complete urban renewal to clean up the blighted neighborhood. But was it worth it? New buildings went up, but a community was torn apart, economic segregation ensued and the project failed to deliver on many of the promises that were made.

What was it like to feed a family in Washington, D.C. during the days of World War II rationing? Put yourself in the shoes of a 30-year-old mother of two and find out.

Walk up the spiral staircase at the GW Museum, take a right into the first gallery, and you will be met with a pair of large (5’ x 6’) bird-eye's-view paintings of Washington, DC. Both represent the capital city in the 1820s and, at first glance, the two works look very similar, with comparable coloring, landscape, and style. That’s not suprising as both were done by the same artist and, significantly, the two pieces share the same view – looking down on the District from Arlington Heights. But, upon closer examination, it becomes clear that the paintings represent different perspectives of the fledgling national Capitol – one aspirational, the other more realistic.

In a city full of millions of people and a myriad of activities to take part in, a twenty-five-year-old Albert Small roamed the concrete jungle that was New York City in 1949. He was a bit bored without his beloved girlfriend, Shirley, by his side. Forced to occupy his time while Shirley worked her Saturday retail job to pay for school. Albert was left to his own devices. He was more used to the slower pace of his home in Washington, DC. The hustle and bustle of the people, noise, and sights of one of the world’s largest metropolises overwhelmed him at points. On this particular Saturday, Albert ducked into an antique bookstore as a means to escape the sensory overload that is the Big Apple. What he found changed his life. 

Trekking through the thick winter snow of the Pyrenees mountain range, Virginia Hall struggled with each passing step. After thirteen months in war-torn France with insufficient access to food, heating, and clothes, the once striking thirty-six-year-old lost the glow of youth. Hardened by the death, loss, and destruction, she witnessed at the hands of the Nazis and their collaborators, she was determined to complete the arduous journey through the mountain range that separated occupied France from neutral Spain.