Beyond the Invitation: Chief Plenty Coups and the Tomb of the Unknown Soldier

Chief Plenty Coups and others paying respects at the unknown soldier burial.

Many international dignitaries were invited to attend the unknown soldier burial on Armistice Day in 1921, honoring those who had died in anonymity during World War I. However, the invitation of one of these guests, Chief Plenty Coups of the Crow tribe, carried a greater significance. His attendance represented the Native American contribution to the Great War as well as the contentious relationship between Native Americans and the United States government at the turn of the twentieth century. 

The Flight and Flop of Washington's Rival Civil War Balloonists

Gas generators on the National Mall with the Capitol Building in the background.

Military leadership, including President Lincoln, saw the potential of military balloons, and the public believed they would change the landscape of the Civil War, aiding the Union’s eventual success. Only two years later though, what would be known as the “Balloon Corps” would be dissolved. So, what ended the use of this promising and successful aerial endeavor?

The City That Was... And The City That Never Was: A Tale of Two Paintings at the GW Museum

“The Indispensable Plan: 1791”  A painted portrait of what DC would have looked like if the city was laid out  exactly to L’Enfant’s plans. The image has red painted curtains framing  a familiar DC but with key differences. The colors are vibrant but there are a lack of people.

Walk up the spiral staircase at the GW Museum, take a right into the first gallery, and you will be met with a pair of large (5’ x 6’) bird-eye's-view paintings of Washington, DC. Both represent the capital city in the 1820s and, at first glance, the two works look very similar, with comparable coloring, landscape, and style. That’s not suprising as both were done by the same artist and, significantly, the two pieces share the same view – looking down on the District from Arlington Heights. But, upon closer examination, it becomes clear that the paintings represent different perspectives of the fledgling national Capitol – one aspirational, the other more realistic.

Reston's Roots: Black Activism in Virginia's New Town

Welcome to Reston: An Open Community Brochure (Courtesy of Reston Historic Trust & Museum)

Around the same time that Walt Disney envisioned a futuristic alternative to urban living—EPCOT (The Experimental Prototype Community of Tomorrow)—a man named Robert E. Simon Jr. dreamed of a better way to live in the suburbs. It was an era of hope when many were asking: “Through careful planning, innovate design, and high ideals, can we manufacture a better way to live?”