The Roosevelt family's roots are in New York, but they clearly had a strong connection to Washington, D.C. Having two presidents and a first lady in the ranks will do that. In that sense, it's fitting that D.C. is home to one of the largest Roosevelt archives today. No, we're not talking about the Library of Congress or the National Archives (though assuredly those repositories have plenty of stuff on Theodore, Franklin and Eleanor). No, we're talking about The Eleanor Roosevelt project at The George Washington University.
The project has put a huge selection of Eleanor's writings online, including all 8,112 editions of the My Day column, which was syndicated in newspapers across the country from 1935-1962. Those are interesting.
But the real gold in the collection might be the digitized If You Ask Me, advice column that Eleanor wrote for Ladies Home Journal and, later, McCall's magazine.
Artist James McNeill Whistler’s most famous painting is probably his portrait, Whistler’s Mother, but to Washingtonians, there is another work that captures the imagination.
Tucked away in a corner of the Freer Gallery, Whistler’s “Peacock Room” beckons people with its distinct lure. Victorian gas lamps, gilded patterns of gold, and Chinese pottery all come together to create quite a spectacle. This is not just a normal art exhibit, however. It's more of a story.
It's a foreign concept now but for many years, Arlington County did not have its own fire department. Instead, the county was served by a number of independent volunteer fire departments. These were organized locally, typically within neighborhoods where citizen leaders saw the need for some level of fire protection and established a resource right in their own neighborhood. (The first such VFD was established in Cherrydale in 1898.) When a fire broke out, the volunteers would leave their homes or businesses and go fight the flames.
In 1932, as the nation lingered in the desperate depths of the Great Depression, thousands of World War I veterans and their families marched on Washington to demand immediate lump-sum payment of their military pensions. To the consternation of President Herbert Hoover, who was about to embark upon a difficult reelection campaign, the ragtag army camped in tents and shacks along the Anacostia River, and began trying to pressure the White House and Congress by marching up and down Pennsylvania Avenue. Unfortunately, the bill to pay them their benefits passed the House but was overwhelmingly defeated in the Senate in June.
The marchers stubbornly stayed, and rebuffed the Hoover administration's offer of train fare out of town. In response, Hoover decided to evict them by force. On July 28, in one of the most disturbing moments in the history of Washington, U.S. horse cavalry wearing gas masks and steel helmets, and backed by five tanks, descended upon the bonus marchers, scattering them and their wives and children and burning their campsites.
Born in Asheville, North Carolina, Roberta Flack started playing the piano at an early age. When she was five, her family moved to the Nauck community in Arlington and she took up the organ, lending her musical talents to Macedonia Baptist Church. At 15, she entered Howard University with a full music scholarship and, by 19, she was a college graduate seeking.
She accepted a position in a segregated school district in Farmville, North Carolina and wound up being the only music teacher for 1300 students, kindergarten through 12th grade. “I lost 40 pounds and almost had a nervous breakdown but we did some beautiful things that year.”
Flack returned to Washington and taught at Rabaut Junior High School and Brown Junior High School. In the evenings, she started performing – first at the Tivoli Opera House in Georgetown and then at Mr. Henry’s, a Capitol Hill nightclub at 6th and Pennsylvania Ave, SE, which was owned by Henry Yaffe.
The Washington Monument reopened in spring of 2014, after being closed for repairs needed to repair damage suffered during an earthquake three years ago. The latter included cracks that developed in the monument's marble panels and damage to the mortar that holds the approminately 555-foot-tall structure together.
But those problems aren't the first woes that have plagued the monument, which will mark the 130th anniverary of its completion in December. Back in 1911, for example, some believed that monument was afflicted with an even more peculiar problem, trumpeted in a December 1911 article in Popular Mechanics magazine by John S. Mosby, Jr., which bore the provocative title: Washington Monument Attacked by 'Geological Tuberculosis.'" Mosley wrote that the monument "is suffering from a disintegration that, while not immediately fatal, will materially shorten its life."
It's D.C. Beer Week, the annual "celebration of good beer in the National Capital Region from conception to consumption and everyone and everything in between." The fact that (1) such a celebration exists and (2) there are events all over town; is an indication of Washington's growing reputation for quality suds. Indeed, the last few years have seen a huge increase in the number of local breweries and they are doing some very interesting things with America's favorite alcoholic beverage.
Needless to say, the scene hasn't always been so bustling, and we wanted to learn more about the history of brewing in our fair city. So, we sat down with two people who should know: beer historian Garrett Peck, author of Capital Beer: A Heady History of Brewing in Washington, D.C. (available at Amazon.com and fine booksellers everywhere) and Kristi Griner, head brewer at Capital City Brewing Company.
As the world mourns the passing of actor-comedian Robin Williams, we thought we'd turn back the clock to happier times.
In May of 1996, the Democratic National Committee invited Williams to D.C. to perform at a party fundraiser at the old Washington Convention Center. The event was scheduled for Wednesday, May 8, but Mork came to town a day early. After dinner with Vice President Gore, the comedian made his way over to the D.C. Improv on Connecticut Ave. where he surprised the audience -- and perhaps the previously scheduled acts -- with a late-night stand up routine. As would-be headliner Tom Kenny said jokingly, movie star Williams "got off his big bag of money" to swing by the club and get some attention from a real, live audience.
Addison Scurlock dressed in a suit and tie whenever he held a camera. Confident and serious about his work and his appearance, he presented himself to the world the same way that he presented his subjects.
Scurlock was only 17 when he moved to Washington and listed “photographer” as his profession in the 1900 census. He apprenticed with a white photographer for three years before opening his own studio in his parents’ house. By 1911 he had a studio in northwest Washington, and soon he had two apprentices of his own: his sons, Robert and George. As adults, they joined him in the photography business.
“I would describe my father as very intense, in all of his endeavors,” Robert Scurlock said in a 2003 interview. “He had a lot of drive to him. If he saw something he wanted to explore, he would find all means of doing it.”
When Walt Whitman first rushed to Washington in the winter of 1862, the trip had nothing to do with poetry.
It was Dec. 16 — nearly two years into the Civil War and seven years into Whitman’s poetry career — when the New York Herald listed a “First Lieutenant G.W. Whitmore” among the troops killed or wounded in Fredericksburg, Va. The misspelled listing was referring to George Whitman, Walt’s brother, who had enlisted in the Union Army in 1861.
Walt left immediately to search Washington’s hospitals. The poet would stay in the city for the next 11 years.
The history of the Bears can be traced back to the D.C.’s journalism pioneer Harold “Hal” Jackson. In 1939, Jackson began broadcasting Howard University’s home baseball games and the Negro League baseball team, The Homestead Grays. In 1941, Jackson used his popularity and sports business savvy to organize a new all-black basketball team in the District.
In the 1940s, Jim Crow held strong in Arlington, Virginia. African-Americans encountered discrimination at segregated eating establishments, businesses and recreation facilities. Even access to medical care was divided along racial lines.
African American mothers were barred from the maternity ward at Arlington Hospital and were expected to travel to hospitals in Washington, D.C. or Alexandria to give birth. For many black Arlingtonians, getting to D.C. was difficult – especially in a medical emergency – as many could not afford cars of their own.
In 1947, three men with bright ideas and business ingenuity stepped up to fill the void.
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